TA的每日心情 | 擦汗 2020-7-15 17:06 |
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簽到天數: 6 天 [LV.2]偶爾看看I
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【导演】:饭村隆彦
【主演】: 安迪·沃霍尔/斯坦·布拉哈格/斯坦·范德比克/杰克·史密斯
【标签】:
【制片地区/国家】:日本
【年份】:1969
【语言】:日语
【上映时间】: 1969
【片长】: 28
【原名】:フィルムメーカーズ
【又名】:Filmmakers
【评分】:豆瓣:0 ,IMDB:5.0
【IMDb链接】: tt2349666
在这部電影製作者片中,documents in a very personal manner the portraits of the most active experimental filmmakers in the mid 1960's: Stan Brakhage, Stan Vanderbeek, Jack Smith, Jonas Mekas, Andy Warhol, and Takahiko Iimura. It is a rare historical document of the "Golden Age" of underground film. The film also characterizes the shooting method to each filmmaker as partially uses their style of filming in their parts. The sound counteracts the shooting style as Iimura himself records the voice in words what he sees in the picture objectifying the voice over the image.
The disc closes with its longest production, a nearly thirty-minute collage of Iimura's trips to meet several influential experimental filmmakers of the '60s. It captures abstract footage of Stan Brakhage, Stan Vanderbeek, Jack Smith, Jonas Mekas, Andy Warhol, and himself, edited together in a barrage of found rudiments. It clearly takes a personal insight into the life of each artist, finding individual items from the collection of footage and bluntly stating their names "window, friends, Stan Vanderbeek", etc. It's VERY drawn out and obviously personal in nature, something that seems like it might create a similar kind of effect to that of watching home videos at a person's house that you don't really know. For this one, there's little perception I can really relate to any kind of symbology, except that experimental artists vary greatly in their styles of lives. It's worth noting that the Warhol footage is very obscured, showing very little of his actual persona.
Iimura creates a short self-portrait as well as brief portraits of five of his peers: Brakhage, Vanderbeek, Smith, Mekas and Warhol. In each portrait, Iimura attempts to copy the styles and traits of each artist (Vanderbeek's constantly moving camera; Mekas' experiments with film speed; Warhol's use of flashes of white against a black background), while briefly commenting on the images being shown. The film serves effectively as an introduction to the film styles of these artists.
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