1968[德拉克的回归]Drak sa vracia[BT下载/迅雷下载]

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【导演】:Eduard Grecner
                            【主演】: 拉多万·卢卡夫斯基/Gustáv Valach/艾米丽娅·瓦萨约娃/Viliam Polónyi
                            【标签】: 剧情
                            【制片地区/国家】:Czechoslovakia
                            【年份】:1968
                            【语言】:斯洛伐克语 / 捷克语
                            【上映时间】: 1968-05-10
                            【片长】: 82
                            【原名】:Drak sa vracia
                            【又名】:Dragon Returns
                            【评分】:豆瓣：7.9 ，IMDB：7.3
                            【IMDb链接】: tt0175581
                           
                           
                           
在这部德拉克的回归剧情片中,与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。
A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
                    This is a ballad about love, hate, and a search for a way out of loneliness. It is a dramatic story about the strange potter, Martin Leaps, nicknamed Dragon, who is suspected by the villagers as the cause of natural disasters. He lost his wife, his home, and his freedom due to false accusations. After years he returns to his native village. Putting his own life to risk, he saves a herd of sheep from a forest fire in the hills. But not even this heroic deed helps him to win back the friendship of the locals.
                    

                               
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