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[剧情] 2010[Buried Land][BT下载/迅雷下载]

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    【导演】:Steven Eastwood
                                【主演】: Emir Kapetanovic/Geoffrey Alan Rhodes/Avdija Buhic
                                【标签】: 剧情
                                【制片地区/国家】:美国/英国/Bosnia and Herzegovina
                                【年份】:2010
                                【语言】:Bosnian / 英语
                                【上映时间】: 2010
                                【片长】:
                                【原名】:Buried Land
                                【又名】:
                                【评分】:豆瓣:0 ,IMDB:5.2
                                【IMDb链接】: tt1625858
                               
                               
                               
    在这部Buried Land剧情片中,In 2006, CNN announced the discovery of ancient pyramids in the tiny village of Visoko, Bosnia….
    A fictional film in a real community, Buried Land is the story of one man’s return to his homeland to find the truth behind the pyramidal claims. But how do you make a film about a pyramid that can’t be seen and will he come to believe? This is a story of the power of faith, imagination and community, and of the futility of looking for absolute truths, in life, and in movies...
    Synopsis
    Emir, a Bosnian émigré removed during the war, returns to his homeland to assist an American filmmaker in the making of a film. Caught between states of patriotism and cynicism, he sets out to discover the truth behind the pyramidal claims. Harnessing the passionate hopes and imagination of the town, the pair begin casting for their proposed film; but Semir Osmanagic, the man at the centre of the audacious pyramidal claims, remains an elusive figure. When Emir begins a relationship with a beautiful tour guide, Avdija, it is soon clear that he is out of his depth and his ego attracts attention. Accused of making fun of the community, Emir’s outlandish behaviour grows more and more confused and a grandiose shoot at the summit of the Moon Pyramid descends into chaos. Rejected by Avdija, Emir stumbles, desolate, to the Pyramid of the Sun. Here, at last, he finds Osmanagic and he is forced to confront both his expatriate identity and his skeptical beliefs towards the town. Using factual encounters, real interviews, staged situations and scripted scenes, Buried Land is a fictional film set in a real community.
    Official Selection Tribeca International Film Festival 2010 (Premiere, April 2010)
    Official Selection Moscow International Film Festival 2010
    Bosnian Programme Sarajevo International Film Festival 2010
    Mumbai International Film Festival 2010
    Cottbus International Film Festival, Germany 2010
    Göteborg International Film Festival, Sweden 2010
    Bosnian—Herzegovinian Film Festival, NYC
    Skena Up Film Festival, Kosovo 2010
    Beyond/In WNY Contemporary Art Biennale
                        Buried Land tells the story of ordinary people attempting to realize a dream. Two actors cut a path through the real community and strange reality of Visoko, the small town at the heart of a remarkable claim: the discovery of ancient pyramids, not in Egypt, but central Bosnia. Emir is a Bosnian émigré, removed during the war and now struggling to rediscover his homeland. He has returned to assist an American director in the making of a film about Visoko's pyramids. Everyone in the town is asked to participate, including Avdija, a tourist agent with the Pyramid Foundation, Semir Osmanagi_, the quixotic founder of the Valley of the Pyramids, and Zombi, who oversees the digging of the labyrinthine tunnels found beneath the hills. Emir and his director are accused by the press of being like "Borat in Bosnia," seeking to mock the town's believers. Emir's outlandish behavior grows more excessive and confused, culminating in a grandiose shoot at the summit of the Moon Pyramid that descends into chaos. He is taken into the heart of the Pyramid of the Sun, where he is forced to confront his beliefs. Where does fact end and fiction begin? How do you make the film of a pyramid that can't be seen? This is a story of the power of faith, imagination and community, and of the futility of looking for absolute truths, in life, and in movies.
                        
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