1946[峡谷航道]Canyon Passage[BT下载/迅雷下载]

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【导演】:Jacques Tourneur
                            【主演】: 达纳·安德鲁斯/布莱恩·唐莱维/苏珊·海沃德/沃德·邦德
                            【标签】: 动作/爱情/西部
                            【制片地区/国家】:美国
                            【年份】:1946
                            【语言】:英语
                            【上映时间】: 1946-08-07
                            【片长】: 92
                            【原名】:Canyon Passage
                            【又名】:峡谷航道
                            【评分】:豆瓣：0 ，IMDB：7.0
                            【IMDb链接】: [/url]
                           
                           
                           
在这部峡谷航道动作/爱情/西部片中,"Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’s half-seen mast, boards over a muddy street) that’s practically a Grafström, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’ negation of piety ("A man can choose his own gods") and Andy Devine’s acknowledgement of Indian rights ("We’re on their land. They ain’t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’ brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better."
                    In 1856, backwoods businessman Logan Stuart escorts Lucy Overmire, his friend's fiancée, back home to remote Jacksonville, Oregon; in the course of the hard journey, Lucy is attracted to Logan, whose heart seems to belong to another. Once arrived in Jacksonville, a welter of subplots involve villains, fair ladies, romantic triangles, gambling fever, murder, a cabin-raising, and vigilantism...culminating with an Indian uprising that threatens all the settlers. No canyon in sight.
                    

                               
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