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[其他] 1952[image in the snow][BT下载/迅雷下载]

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    發表於 2017-4-16 00:53:40 | 只看該作者 回帖獎勵 |正序瀏覽 |閱讀模式

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    【导演】:Willard Maas
                                【主演】:
                                【标签】: 短片
                                【制片地区/国家】:美国
                                【年份】:1952
                                【语言】:英语
                                【上映时间】:
                                【片长】:
                                【原名】:image in the snow
                                【又名】:
                                【评分】:豆瓣:0 ,IMDB:5.8
                                【IMDb链接】: tt1857737
                               
                               
                               
    在这部image in the snow短片片中,IMAGE IN THE SNOW
    US / 1952 / B&W / 26 Min.
    Director: Willard Maas
    Original score by Ben Weber
    Narrated by Ben Moore
    The dates of release vary, some state 1943-1948, Kino states 1952.
    In striking contrast to the unchanging feel of Target Rock1 stands Image in the Snow. In the human sphere, change is swift and irresolute. Who could imagine making such a film today? It takes us to a time before alternative cultures, a time of industrial monoculture when gays were sent to prison or hospitals. In such a world, sanity was sought in a willful act of creating myths. A body of filmmakers of the time used their cameras to transform dreary ghetto-scapes into places beyond the reach of mundane existence.
    But, how like city children at play these characters seem! You could almost imagine them saying, "You be the Princess and I'll be the Hero." They are more related to the urchins of the Agee-Levitt In the Street than to personages divine. (The "poetic" narrator, on the other hand, bears a resemblance to the declamatory style of Katharine Hepburn, the mother, in Suddenly Last Summer.) It is a fragile, see-thru realm of innocents at play.
    The truly fantastic is to be seen in the real-world background: the vanished world of Brooklyn in the 50s. The nineteenth century warehouses, the Myrtle Ave. "El," the vast cemeteries (which, indeed, you took the El to visit) all are well-chosen and photographed with a poetic eye.
    Pathos wins out as the hero flees the sadness of his real mother for the stone, frigid hoped-for redemption of ideal, mythic parents at Mount Olive Cemetery. Prayers descend into moans for help.
    Jerome Hiler, March 2001
                        
                        
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