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[其他] 1917[泰爱斯]Thais[BT下载/迅雷下载]

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    發表於 2017-3-30 22:14:26 | 只看該作者 回帖獎勵 |正序瀏覽 |閱讀模式

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    【导演】:安东·朱利奥·勃拉盖格利亚
                                【主演】: Augusto Bandini/Alberto Casanova/Thaïs Galitzky/Ileana Leonidoff
                                【标签】: 短片
                                【制片地区/国家】:意大利
                                【年份】:1917
                                【语言】:silent
                                【上映时间】: 1917-10-04
                                【片长】: 35
                                【原名】:Thais
                                【又名】:
                                【评分】:豆瓣:0 ,IMDB:5.6
                                【IMDb链接】: tt0007439
                               
                               
                               
    在这部泰爱斯短片片中,"Futurism" was an avant-garde artistic movement, created in 1909 ( as you can see your grandfathers were long haired and dangerous youngsters for a while ) that demands a rejection of tradition and the past while exalting technical innovations, especially the mechanical ones, present and future. This avant-garde artistic movement ( literature and music genres) found great acceptance in Italy where many artists developed the Futurism postulates.
    Herr Anton Giulio Bragaglia was a notable Italian Futurist who began experimenting with photography and published an important manifesto as a theoretical basis for Futurist photography, "Fotodinamismo Futurista". In addition to his career as set designer Herr Bragaglia had a short but intense film career, "Thais" being his debut as a Futurist director.
    In any case "Thais" is a film that combines in a strange way classicism and the ( Futurist ) modernism, a paradox since we know that the Futurists were people who rejected tradition and the"Thais" story is a very conventional one. It tells of a "femme fatale" who toys with and uses her admirers for her capricious purposes with the expected tragic ending. Classicism can be seen too in the beautiful images from evocative landscapes sequences as the ferry at the river or Bianca's race to the abyss ( "Naturalism" reminiscences?... ) or Herr Charles Baudelaire's poems ( "Impressionism" reminiscences? ) Only at the end of the film do we see the "Futurist" influences in the highly stylized and geometrical décors in which our heroine suffers her particular punishment, a sequence in which Herr Bragaglia's talent as a set designer is put to good effect.
    For those reasons for this German Count "Thais" is a kind of interesting film catalogue of many artistic movements ( curious artistic duality ) strangely mixed, a display of the spirit of those innovative early years that grants the film an artistic and remarkable balance as a whole.
                        A silent film about a women who seduces a married man which in turn leads to deadly consequences.
                        LALA残片。
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