1981[四重奏]Quartet[BT下载/迅雷下载]

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【导演】:詹姆斯·伊沃里
                            【主演】: 阿兰·贝茨/玛吉·史密斯/伊莎贝尔·阿佳妮/安东尼·希金斯
                            【标签】: 剧情/爱情
                            【制片地区/国家】:法国/英国
                            【年份】:1981
                            【语言】:英语 / 法语
                            【上映时间】: 1981-05-20
                            【片长】: 101
                            【原名】:Quartet
                            【又名】:四重奏
                            【评分】:豆瓣：7.2 ，IMDB：6.5
                            【IMDb链接】: tt0082964
                           
                           
                           
在这部四重奏剧情/爱情片中,It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
                    It's 1927 Paris. Following the conviction of her art dealer husband, Stephan Zelli, for theft for which he was handed a one-year prison sentence, Marya Zelli, originally from West India, moves in with her acquaintances, expatriate Brits H.J. and Lois Heidler. Marya knows that H.J. in particular has more in mind than just providing her lodging out of the goodness of his heart. From behind bars, Stephan encourages Marya to move in with them not knowing H.J.'s intentions. Marya agrees in part because she, being a foreigner, cannot get work and would thus become destitute otherwise. She learns she is the latest in a long line of lodgers. She also learns that H.J. and Lois' marriage is not all that it appears on the surface. The Heidler's hold on Marya becomes stronger when they convince her that Stephan not only has no money but has no future in France after his release. Their collective lives become more complicated when Stephan is released from jail and tries to figure out what he's going to do with his life to regain the high standard of living to which he became accustomed.
                    爱恋四重奏——祝女神63岁生日快乐！。

                               
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