1958[我是一个黑人]Moi, un noir[BT下载/迅雷下载]

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【导演】:让·鲁什
                            【主演】: 爱德华·罗宾逊
                            【标签】: 剧情
                            【制片地区/国家】:法国
                            【年份】:1958
                            【语言】:法语
                            【上映时间】: 1958
                            【片长】: 70
                            【原名】:Moi, un noir
                            【又名】:I, a Negro/Moi, un Noir
                            【评分】:豆瓣：7.9 ，IMDB：7.5
                            【IMDb链接】: tt0051942
                           
                           
                           
在这部我是一个黑人剧情片中,本片记录了西部非洲的乡下青年到城市打工的经历。许多尼日利亚青年离开位于内陆的家乡来到沿海国家象牙海岸打工，许多人在首都阿比让的平民区落脚。本片主人公是一位仿照美国电影明星取名爱德华·罗宾逊的年轻人，他在摄影机前讲述自己及其同伴的故事。        The film depicts an ordinary week in the lives of men and women from Niger who have migrated to Abidjan, Cote D'Ivoire for work. After a short introduction by Rouch, "Edward G. Robinson"-Omarou Ganda, who like the film's other subject-collaborators plays himself under the name of a Western movie star-takes over the film's narration, recreating dialogue and providing freewheeling commentary on his experiences.
                    "I, a Negro" depicts young Nigerien immigrants who left their country to find work in the Ivory Coast, in the Treichville quarter of Abidjan, the capital. These immigrants live in squalor in Treichville, envious of the bordering quarters of The Plateau (the business and industrial district) and the old African quarter of Adjame. The film traces a week in these immigrants' lives, blurring the line between their characters' routines and their own. Every morning, Tarzan, Eddy Constantine and Edward G. Robinson seek work in Treichville in hopes of getting the 20 francs that a bowl of soup costs them. They perform menial jobs as dockers carrying sacks and handy labor shipping supplies to Europe. At night, they drink away their sorrows in bars while dreaming about their idealized lives as their "movie" alter-egos, alternatively as an FBI Agent, a womanizing bachelor, a successful boxer, and even able to stand up to the white colonialists that seduce away their women. These dream-like sequences are shot in a poetic mode. Each day is introduced by an interstitial voice of god omniscient narration from Jean Rouch, providing a universal thematic distance to the movie's events. The film is book-ended by a narration directed at both Petit Jules and the audience from Edward G. Robinson fondly looking back on his childhood in Niger and concluding that his life is worthy of his dreams.
                    

                               
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