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[其他] 1972[玛利亚·玛丽布罕之死]Der Tod der Maria Malibran[BT下载/迅雷下载]

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    發表於 2018-11-10 22:37:57 | 只看該作者 回帖獎勵 |倒序瀏覽 |閱讀模式

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    【导演】:沃纳·施罗德
                                【主演】: Magdalena Montezuma/克里斯汀·考夫曼/坎蒂·妲玲/Manuela Riva
                                【标签】: 歌舞/剧情/喜剧
                                【制片地区/国家】:西德
                                【年份】:1972
                                【语言】:德语
                                【上映时间】: 1972-03-02(西德)
                                【片长】: 104
                                【原名】:Der Tod der Maria Malibran
                                【又名】:The Death of Maria Malibran
                                【评分】:豆瓣:0 ,IMDB:6.7
                                【IMDb链接】: tt0067861
                               
                               
                               
    在这部玛利亚·玛丽布罕之死歌舞/剧情/喜剧片中,This bizarre film by one of the most original directors now working in Germany is hermetic, expressionist, oblique, and of a creative perversity that bespeaks the presence of a genius. Purporting to deal with a real-life 19th century diva 'whose popularity was such that over-exertion led to her death while singing,' the film is actually a grisly series of frozen or tortured tableaux (predominantly lesbian in implication) of heavily rouged, frequently ugly women who, pretending to sing heavy opera, go through contorted, icy attempts at communication that lead nowhere. The lip-sync is off; the singing is off-pitch; mouths are frequently open while no sound issues forth, or closed, with mellifluous arias or cheap popular songs heard on scratchy renditions of old records. Neither burlesque nor slapstick, the film's intent, at least in the beginning, is nevertheless ironical and subversive, though mysteriously so. However, it grows increasingly dark and more threatening, with screams, faces bathed in Vaseline, red, wet mouths, smeared eye shadows, and dehumanized figures. One cannot 'explain' Schroeter's work, other than recognize his debunking of opera as a metaphorical rejection of bourgeois society; but one trembles in recognition of a prospective major talent."
    Amos Vogel, Film as a Subversive Art
                        This is about the life and myths about famous opera singer Maria Malibran (1808-1836). She died on the stage.
                        

                                   
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