1961[乞丐]Accattone[BT下载/迅雷下载]

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【导演】:皮埃尔·保罗·帕索里尼
                            【主演】: 弗兰科·奇蒂/Franca Pasut/Silvana Corsini
                            【标签】: 剧情
                            【制片地区/国家】:意大利
                            【年份】:1961
                            【语言】:意大利语
                            【上映时间】: 1961-11-22
                            【片长】: 120
                            【原名】:Accattone
                            【又名】:乞丐/寄生虫
                            【评分】:豆瓣：8.3 ，IMDB：7.9
                            【IMDb链接】: tt0054599
                           
                           
                           
在这部乞丐剧情片中,影片表现了罗马郊区的青少年、妓女和拉皮条的人的生活，反映了流氓无产者和被社会所唾弃的人的生活世界。这部影片充满自然主义，高潮部分带有强烈的宗教狂热，穿插着梦幻，但又有明显的社会和心理特点，影片以主人公富有隐喻的死结束。导演在该片中大量运用了实际生活中的语言。
                    In a seedy section of Rome, Vittorio Cataldi - "Accattone" ("beggar" in Italian) to those that know him - lives off the avails of prostitution, Maddalena being his one and only girl. He is married to Ascenza with who he has one young son named Iaio, but he does not live with them - they who live with her father and brother - provide for them, or play any important part of their lives. He generally hangs out with his similarly slack life friends playing cards and drinking. His source of income is threatened when Maddalena is injured being hit by a motorcyclist, then beaten by rivals of his, which leads to her being arrested and jailed for a year. Largely because of Iaio, Accattone contemplates going straight and getting a real job. Then he meets Stella, a young innocent woman who has had a hard life, but who is not as naive to the ways of the world as she first appears. Accattone falls in love with her, but as the thought of working a steady job now becomes abhorrent, contemplates pimping for Stella. As Accattone and Stella's relationship progresses, Accattone's past may come back to haunt him.
                    乌托邦诗人的影像启航：《乞丐》。Accattone: 一场诗意的葬礼。处女作之帕索里尼——电影“阿加东”。两个角度的糅合。比现实还深。真是现实啊。A contradictory aesthetics---Film style analysis of Pier Paolo Pasolini’s cinema。粗疏与好大喜功。

                               
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