TA的每日心情 | 擦汗 2020-7-15 17:06 |
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簽到天數: 6 天 [LV.2]偶爾看看I
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【导演】:穆斯塔法·萨瓦尔·法罗齐
【主演】: Chanchal Chowdhury/Shahir Kazi Huda/Mosharraf Karim
【标签】: 剧情
【制片地区/国家】:孟加拉/德国
【年份】:2012
【语言】:孟加拉语
【上映时间】:
【片长】: 102
【原名】:Television
【又名】:
【评分】:豆瓣:0 ,IMDB:8.2
【IMDb链接】: tt2564706
在这部电视风波剧情片中,This is a satire film that announced the arrival of a new bangladeshi cinema. The story of the film unfolds in humorous and sharp manners, touching on issues such as religious view, generation gap, tradition and modernization, and family love all at the same time. Amin Patowary, an extreme islamist imam (religious leader) in the small Bangladeshi village of Mithanupur, puts a taboo on any images. One day, Kumar, an elementary school teacher, buys a television set, which draws large numbers of villagers to his house. Although Kumar is hindu, Amin forces him to get rid of the television set. However, the villagers who now aware of the charm of television react against Amin. The only hope left for Amin in dispair is to go on Haji (pilgrimage to Mecca). But then, his pilgrimage gets into trouble and, unexpectedly, he is saved by the television, which he regards as the biggest taboo. Amin stubbornly refuses to embrace modern civilization as his thinking is based on radical islamism. The director, Mostofa Sarwar Farooki, sees his stubbornness as not necessarily a bad thing: Sometimes it demonstrates the evils of extreme religious belief; at other times, it shows the fact that Amin is a feeble old man who loves his family. His series of actions to hold to his religious beliefs seems more like a theater of the absurd rather than a serious matter. is a satire film with a very unique style. This is the result of the talent and passion of Mostofa Sarwar Farooki who have managed to survive as an independent filmmaker in Bangladesh.
As a leader of the local community, Chairman Amin bans every kind of image in his water-locked village in rural Bangladesh. He even goes on to claim that imagination is also sinful since it gives one the license to infiltrate into any prohibited territory. But change is a desperate wind that is difficult to resist by shutting the window. The tension between this traditional window and modern wind grows to such an extent that it starts to leave a ripple effect on the lives of a group of typically colorful, eccentric, and emotional people living in that village. But at the very end of the film, Television, which he hated so much, comes to the rescue and helps Chairman Amin reach a transcendental state where he and his God are unified. A new twist to the story makes him embrace IMAGE and IMAGINATION
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