2007[巴尔干电影革命纪事]Boli li? Prvata balkanska dogma[BT下载/迅雷下载]

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【导演】:Aneta Lesnikovska
                            【主演】:
                            【标签】:
                            【制片地区/国家】:Republic of Macedonia
                            【年份】:2007
                            【语言】:Macedonian
                            【上映时间】: 2007
                            【片长】:
                            【原名】:Boli li? Prvata balkanska dogma
                            【又名】:Does it Hurt? The First Balkan Dogma
                            【评分】:豆瓣：0 ，IMDB：6.2
                            【IMDb链接】: tt0863068
                           
                           
                           
在这部巴尔干电影革命纪事片中,This film is reality based on fiction. It's director Aneta (lives and works in Holland) mixes her life and those of her friends with a fictional situation that she has invented herself. As most of her friends in her home country Macedonia are actors and filmmakers who do everything but act and direct (due to no funding possibilities in a land in transition), she decides to give them false hope in order to make her film. Aneta lies to her friends that she found producers who will fund her film if they will help her out by sharing their life stories. She films the whole process and what was meant to be the making off becomes the actual film. Does it hurt? is the first Balkan, as well as the first Dutch film shot according to the Dogma rules and is the directors 10 year celebration gift to the Dogma movement.
                    A Macedonian filmmaker wants to make the first official Balkan Dogma film in Macedonia. She lies to her friends that she got financial support from the Zentropa producers. The film starts from the moment that she gathers her closest friends and asks them to join her in the quest for finding the right story for the film. She has decided to film the whole process from the very beginning and use it later for the making off. Following the four characters in their quest we discover Macedonia and the Balkans in 2006. The camera captures visual sequences of the absurdity, humor and survival techniques of a land and people in transition. The making off project ultimately becomes the true subject of the film.
                    

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