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標題: 1991[献给斯皮尔伯格]Абдулладжан, или посвящается Стивену Спилбергу[BT下载/迅雷下载] [打印本頁]

作者: TMW    時間: 2019-3-28 14:25
標題: 1991[献给斯皮尔伯格]Абдулладжан, или посвящается Стивену Спилбергу[BT下载/迅雷下载]

                               
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【导演】:Zulfikar Musakov
                            【主演】: Rajab Adashev/Toʻti Yusupova/Toʻychi Oripov/Hojiakbar Nurmatov
                            【标签】: 喜剧/科幻
                            【制片地区/国家】:苏联
                            【年份】:1991
                            【语言】:俄语 / Uzbek
                            【上映时间】: 1991
                            【片长】: 89 мин.
                            【原名】:Абдулладжан, или посвящается Стивену Спилбергу
                            【又名】:E.T.(乌兹别克斯坦版)/Abdulladzhan, or Dedicated to Steven Spielberg/U.F.O. Boy Abdulladzhan/UFO少年アブドラジャン
                            【评分】:豆瓣:0 ,IMDB:6.2
                            【IMDb链接】: tt0101263
                           
                           
                           
在这部献给斯皮尔伯格喜剧/科幻片中,A Cult sci-fi comedy fom Uzbekistan, produced in 1991-1992. Uzbekistan had a reputation for its films when it was still part of the USSR. The international success of Abdulladzhan, or dedicated to Steven Spielberg (1992) proved that the Uzbek film industry was still viable even after its independence. The country's reputation as one of the centers of the Middle Asian film industry is well deserved.
Considering that Musakov’s Abdulladzhan (1991) was dedicated to Steven Spielberg, we might suggest that these four boys embody nothing more complicated than a conflict of youthful innocence with some ominous threat—the basic workings of E.T. (1982) or War of the Worlds (2005), say. That threat, however, is best understood not through vague nationalism or warmed-over socialism, but through the other reference-point of Abdulladzhan—Tarkovskii’s Stalker (1980). Musakov leaves his boys in a simplified radiance so bright and so overexposed that it no longer looks like the skies of sunny Tashkent, but a disturbing, borderless luminosity to match the flat tonal range of Stalker’s “Zone.” Our Uzbek boys are nowhere in particular; this is a broader domain than anything international. Even the final scene of the sequel does not help us to chart their location or future with any confidence. Lola approaches the banker’s son (Bakhtiar, played by Musakov’s actual son); he is now a lowly mechanic, following his father’s loss of employment, and he turns around to see Lola in an empty car park. Neither character is smiling.
                    On the village called "Communism" wrecked alien ship, which was carrying an alien boy. Bazarbay Narmatov, the village foremost, accidentally finds a wounded and weakened alien boy, decides to help him and gives the name Abdullajan. Naive people of the village not knowing that boy was an alien took him for an illegitimate son of Bazarbay and witnessed some extraordinary events.written by Aziz Eshboev
                    

                               
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