在这部甜蜜的家片中,Agron was long considered dead. His army buddies saw him die during the Kosovo conflict, and thus his return home is beyond surprising. Joy, however, soon shifts to a consideration of practical problems, and the man is forced by a variety of circumstances to remain dead – at least officially. His home thus becomes the backdrop for a portrayal of the myriad problems facing postwar society.
A man who was declared dead comes home.
