在这部内部短片片中,”Inside” articulates itself through the ”seeing” of its protagonist Hanna – a person in an existential situation. This ”seeing” creates diverse images – observations, metaphors or hallucinations? All of these real-time images are shown from the protagonist’s perspective. Hanna uses her seeing: analysis first, production (decision) next. She suffers mentally until her mind and body fail. She hits rock-bottom, becomes unconscious. Nothing to hear, nothing to see. Only blackness. Only a tiny something is left, which within her dull consciousness begins an independent existence. Hannas “evolution” starts. Naive and light-hearted. Everything is different. Hanna “sees”. And she searches. For a solution. Or redemption. Or maybe even both.
