在这部Coda I短片片中,Peter Gidal's structuralist short CODA I is composed of three lines of a thousand-word story he wrote (as read by William Bouroughs in a cutup tape collage) amidst an ultra-abstract play-of-light through a camera. Gidal describes his "socalled" imagery as "a complex of barely visible cuts in space and time, the opposite of erasure, but nothing so much as visible."
Peter Gidal's structuralist short CODA I is composed of three lines of a thousand-word story he wrote (as read by William Bouroughs in a cutup tape collage) amidst an ultra-abstract play-of-light through a camera. Gidal describes his "socalled" imagery as "a complex of barely visible cuts in space and time, the opposite of erasure, but nothing so much as visible." - Stela Jelincic
