在这部影月情缘剧情/爱情片中,洛雷特·布戈涅是旅店餐馆中的女招待，她年轻、性感而且有孕在身。她与许多男人有染。达夫是个推销员，他为了给他的老板留下深刻印象而与洛雷特约会。迈克尔想要探索洛雷特在成人色情片世界中的“特殊性”。吉尔是洛雷特肚中孩子的父亲，他想让她回到魁北克。吉尔是洛雷特死去的丈夫的好朋友，她的丈夫斯蒂芬被熊吃了。克劳德.加侬和露西尔.加侬是斯蒂芬的父母，他们要洛雷特回家，因为他们以为她未出生的孩子是斯蒂芬的。洛雷特拼命想要挣脱这些人对她的束缚，因为这些人看到的她都不是真正的自己，只是他们心中想看到的她的样子而已。
旅店里的一个房间住着的是丹尼斯，一个戒了毒的康复者，和她的丈夫里德·简，一个曾在监狱中反省过的人。这对夫妇十分想从社会福利机构那里重新取得对他们孩子的监护权。他们疏远掌握他们命运的社工海伦，当丹尼斯想要夺回孩子的情感无法遏制时，一连串的事件也随之发生了。
另外一个房间里住的是埃里和莉莉，这对属于社会中产阶级的夫妇正处于婚姻破裂的边缘。埃里曾是公司经理，但现在失业的他在尼亚拉加寻找新的工作。莉莉很不快乐，因为现在破产的生活和过去的富足相去甚远。埃里想要找到令人满意的工作，可是让他无法忍受让他面子尽失的面试环节。埃里感到十分受辱，他甚至想到了自杀。莉莉也想赚钱，于是她结识了在外做妓女的桑迪。莉莉觉得既然桑迪能赚钱，她为什么不能呢？
另一个主要人物是菲利·菲利浦，总是喝醉酒的旅店看门人。他是一个幽灵般的人物，在这些人物间醉醺醺地徘徊，一直在寻求自己对生命的领悟。
旅店和餐馆的主人鲍里斯和他的女儿苏菲，是来自前南斯拉夫的移民。鲍里斯是个大嗓门，总是对他的员工和客人大嚷大叫。心肠善良的苏菲是个爱管闲事的人，特别是对洛雷特的事。在一声大叫中，鲍里斯猝死，倒在了餐馆中。苏菲邀请洛雷特留在旅店中，这样洛雷特就能生下她的孩子，过上平静的生活。
新時代電影公司剛出爐製作英語文藝片 Paper Moon Affair (影月情緣)，由新時代集團行政總裁馮永發（圖右二）監製策劃兼創作故事大綱，日裔加藉導演David Tamagi (左二) ，日本當紅演員Misa Shimizu清水美砂(右一) 及資深加國演員Sebastian Spence(左一) 聯手合作。電影榮獲全球主要影展之一的滿地可國際電影節甄選唯一代表加拿大的作品作首映禮，主流傳媒激勵讚賞。電影亦隨即售出歐美版權，十月初Paper Moon Affair 將會在溫哥華電影節展映兩場。
A wealthy Asian couple - he Chinese, she Japanese - arrive in Paper Moon Bay, an isolated town on the west coast of Canada, for a respite. Theirs is an emotionally distant marriage, due in large part to his chronic infidelity of which she is aware. To fill that emotional void in her life, she, named Keiko Hanada, meditates through doing origami. That emotional void is strengthened when he abandons her in town, especially as life in Paper Moon Bay in all aspects is totally foreign to her. Keiko wants to leave herself to head back to the comforts of Tokyo and her support network, but finds that leaving is not as easy it was arriving. She attracts the attention of most in the town, who see her solely as the foreigner they don't understand. But one person who sees in her at least as a temporary answer to his own problems is Vern Staub, the local police officer. He too is in an unsatisfying marriage to Lucy Staub, their problems largely regarding their sex life. Vern begins a sexual relationship with Keiko to fill that void in his life. One other person attracted to Keiko is nineteen year old Hart Turner, who wants more than anything to escape the repressive life in Paper Moon Bay, especially in getting away from his alcoholic fisherman father, Bill Turner. Keiko's resulting relationship with Hart is more an emotional one based on her need for a true friend, although he would like it to be so much more.
